I like stuff. And I have a lot of it. From art to furniture to knick-knacks picked up while traveling, my home is always brimming with objects; they’re the steadfast companions in the transient life typical of New Yorkers of a certain age. An old boyfriend once told me that his mother, upon hearing that I worked for AD, asked him what my personal decor style was. He (somewhat smugly) told me he’d responded “Crowded.” While I would split hairs on that exact categorization (and, in my defense, I was living at the time of that question in a 500 square foot apartment where having so much as a bed and dresser pretty much constituted crowded), he’s not altogether wrong. That is to say, I’m pretty much Marie Kondo’s nightmare. And as much as I tried to look at the cult-organizer’s approach with an open mind, the reality was that it didn’t seem to quite work for me. Kondo advocates keeping only the things that bring you joy; well, a lot of things bring me joy. An Oomph side table gives me joy to look at, while a Swiss beer stein brings back joyful memories of a summer trip to the Alps, and an antique side chair recalls the joy of finding it at a hot, dusty flea market during college. I’ve always been inclined to politely agree to disagree with Kondo’s ideology, and my “more is more” approach usually suits me just fine. And then, once every few years, there comes a dreaded time when I question all of that: moving.